So Dion and the Belmonts. So great. As you watch and listen to tonight's clip, it's weird to think that there's heroin coursing through the guy's veins. I don't think the backing singers behind him are the real Belmonts, but I dig the way they shuffle, and the way the three of them look like they're about 50 years old. You'd never see that today, where youth has become the only thing that matters in the entertainment business. ...There's great little touches in Dion's performance, like when he drapes the microphone cord over his shoulder. That's the move of a total pro, a real entertainer, and he can't be more than 19 or 20 at this point...
Dion's music in this period was a product of the seedy underbelly of the Bronx in the 1950s. I'm obsessed with the whole milieu. Underworld. The Polo Grounds. The Grand Concourse. The L Train. Last Exit to Brooklyn. Jackie Gleason. The Wanderers. C. Wright Mills. The Power Elite. The Naked Kiss. The Killing. Sterling Hayden. J. Edgar Hoover. Whitaker Chambers. Alger Hiss. American Tabloid. City of Night. Phil Spector. Frankie Valli... And Dion. A guido from the rough backstreets who had a monkey on his back for a long time, but he still found a way to shine. I find inspiration in guys who are deeply tortured yet manage to dig way down and find something incredible in themselves. I wonder why. Teenager in love. Love came to me. Gonna make it alone. Donna the prima donna. The wanderer. Lovers who wander. Runaround Sue. No one knows. Where or when. Lonely teenager. The majestic...
On this somber day, I feel blessed to be able to sit here in my home and say a few things about how much I love Dion...
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